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Wow, this episode felt like a lot of information. While I was a little disappointed in the predictability of Sota’s backstory, it’s nice to see it out on the table. The conversation Sota has with Rui in the first half of the episode was a great motivation for the reveal. I’m almost willing to say that Sota’s secrecy was worth it. Either way, we’ve hit the halfway point and it seems like we’ve come so far. I’m really curious to see where the series goes from here. It feels like we could easily have a final episode next week, so I’m looking forward to see what else is in store.
Given what happened to Selesia in last week’s episode, it’s a bit of a dick move to open the episode with Meteora. I know it immediately cuts to Selesia, but I still wanted to point it out.
Yeah, those seem like two relatively equal events.
I’m not sure if we’re going to get a full explanation, so I’ll give it a shot. Since everyone initially accepted the design after seeing the picture on social media, Selesia was able to gain the abilities depicted in the image. The reason the power went away was probably because there wasn’t enough of a story built around the power for the readers to accept it as part of the story.
There’s something about Matsubara’s line here and the specific terminology that’s used to describe the influence of the readers that makes me feel a bit excluded. It makes it sound like the reader truly has to see the life in a story in order to give life to a Creation like Selesia. I’ve never been one to think that way about a story. But then again, maybe it’s enough just to see the humanity of the fictional character and identify the traits that map to yourself. I can do that.
Huh…I hadn’t noticed because Rui didn’t have much of a role before this episode, but he’s actually perfect to have this pep talk with Sota. Most mecha anime protagonists start as whiny brats who are then thrust into the heat of war. As someone who has made it through this process, Rui would know Sota’s feelings better than anyone else.
It’s a bit strange that Rui thinks this way, but still prefers his own world. You could say that the very act of coming to this world has opened that same ability for himself. Now, he’s no longer constrained by the god of his world. But maybe that’s not case. I guess Rui will eventually have to return to his story and save his world. That path is already set. He could choose to forsake it, but it goes against his character, which is also set. There might be an interesting discussion about will in here somewhere.
An earlier screen showed a monitor with the words “Auto Drive” on it. Does Rui really need Sota to grab the phone for him if he’s not driving the Gigas Machina? Is this scene put here just to make a joke about mecha pilot bodysuits?
Seriously? Did we really need this? It’s bad enough that they’re able to get to these rafters without trouble. This random forced tension just feels strange. It’s almost like they’re trying to tease the suicide in Shimazaki’s future.
I’m sure it wouldn’t have fit Sota’s character, but I would have found his hesitation much more believable if he had instigated the online witch hunt against Shimazaki’s work. Of course, I can understand why he would still feel guilty for not being able to help his friend, but I guess I don’t see that as a crippling level of guilt. I guess my mind is a bit strange because I would see Shimazaki’s success as motivation to do better myself.